Nrityanjali, presented by Shinjan Nrityalaya at Rabindra Sadan on October 15, deserved applause on many accounts. Spearheaded by Aloka Kanungo, a senior Odissi dancer and disciple of Guru Kelucharan Mahapatra, the institution has succeeded in maintaining an uniformity of style, which is simple and conventional. The evening unfolded with Rangapuja in which little performers danced to a musical piece. Nibedita Daw presented pallavi, a pure dance number based on raga Shankaravaranam. Though the intricate choreography by Kelucharan Mahapatra lacked the desired standard, Nibedita’s confidence and competence deserves credit. Nachanti range srihari, an abhinaya, was an average presentation. It was followed by another pallavi featuring two artistes, Atreyi Majumdar and Kaberi Sen. With trim and tidy movements and footwork, this charming choreography demanded more sensitive handling. Kaberi lacked the swaying torso movements which is the hallmark of the Odissi dance style while Atreyi failed to transcend the sheer grammatical structure. Despite their commendable expertise, the dancers failed to paint the beautiful raga by blending crisp bols and gentle glides with delicate rhythmic patterns. The ecstacy of this joyous number was absent through out their presentation.